This video installation was done during her post-graduation residency at the Rijksakademie in Amsterdam, Aisha Khalid’s work from 2001 reflects a profound shift in her artistic approach. Residing in a Western country in the wake of 9/11, Khalid was acutely aware of the evolving socio-political landscape and its impact on her art practice. This period spurred a significant transformation in her work as she sought to challenge the Western perception of Eastern art as merely beautiful but static.

In response, Khalid produced a compelling two-channel video that addresses powerful socio-political themes while liberating the miniature art form from its traditional constraints. The first channel features Khalid’s hand meticulously embroidering a rose, while the second channel shows a Caucasian hand dismantling the stitches with ruthless precision. This stark juxtaposition, rich with political undertones, signifies a shift in Khalid’s work from exploring cultural themes to confronting pressing socio-political issues. The video critiques the superficial treatment of Eastern art and underscores the dynamic and evolving nature of Khalid’s artistic practice.